Images by Robert Lloyd, www.4comculture.com
The exhibition is a subtle reminder of where bigotry begins. I am placing myself outside my comfort zone in order to build my path to tolerance as an artist and a human being. I’ve often heard it said that we are all in this together. Now I am seeking a consensus on where we can build common ground, around issues that we can support together. If you would like to help build a grassroots movement click on the image below and print it. Gather signatures and email addresses and mail them to: Robert Lloyd 3314 S. Grand Blvd. Spokane WA 99203.
Those of you in the Spokane area who have seen the show and would like to receive a print collect at least 25 signatures and email addresses and bring the list to the reception on Oct 4 4:30 – 6 pm at the JFK Library at Eastern Washington University. You will receive an unframed 11×14 matted print at the end of the show.
“A Path To Tolerance”, selections from over a decade of quiet observations, will be on exhibit at the EWU Downtown Gallery in Cheney Washington. It includes the exhibit “If You Really Knew Me”.
Below is a review of “If You Really Knew Me” by Jeff Mooring.
I am seldom moved enough to feel compelled to write about art. Somewhere in my head it’s the equivalent of trying to tell someone about a great song, instead of just playing it for them or droning on and on about a game that happened days ago. But compelled I am. The art in this case is the exceptionally well-conceived and executed work of a longtime friend Mr. Robert Lloyd.
Let me start by saying it’s one thing to capture the beauty and energy of a subject which he’s done, but Mr. Lloyd has surpassed that with his vivid, brilliantly colored, larger than life portraits of several women. His subjects, these eye-catching women, are of varying races, ages and stations in life. It’s my understanding that Robert achieved this dazzling effect with some high-tech, modern day alchemy of photography and computer technology. The details of which are far beyond my pay grade and simply don’t matter much when standing in front of these works. But imagine if you would, you stand being transfixed by each portrait and then you’re made aware, as they say in the TV infomercials, “but wait there’s more”. With a quick and easy loading of an app called “Cherry Pix” you can simply aim your phone at a portrait and the image comes to life and you get to hear the story of triumph behind each and every one of these beautiful souls.
The technology I believe is called augmented reality. The film clips were captured, edited and packaged by a local team at Community Minded TV and this collaboration was backed by an entity called The Alliance for Media Arts + Culture. It all comes together seamlessly due to exceptional talents and craftsmanship to be one of the most moving experiences in art that I’ve seen in my 30 some odd years of viewing.
The show titled “If You Really Knew Me” is on exhibit at the East Central Community Center, 500 S. Stone, with plans to travel. Do yourself a favor and make some, take some time… to see this exceptional effort with stories and images that are moving and interconnected in ways that I won’t spoil for you. It costs nothing to enter and may well give you an experience of relating to the lives of these beautiful women that you won’t soon forget, and you’ll feel compelled to tell others about, as have I. If You Really Knew Me by Robert Lloyd
Power 2 the Poetry is reaching across the generation divide. Take this opportunity to support our younger people. It is not every day that the younger generation asks for your participation. Grab a car full of your peers and come on down. In October 2017 we saw the Individual World Poetry Slam finals here in Spokane. Click to see the posted story written by local author Sara Saybo.
This point-in-time count is a snapshot of people who are homeless in Spokane, counted by local teams on one night in January, a statistic that is limited by a variety of factors and not considered the complete picture. Because more homeless people were in shelters, and fewer were outside in hard-to-find places, it was easier to get a count, according to McCann and city officials. That might apply particularly to the chronically homeless, who are more likely to use emergency shelters.
In particular, the city’s super-tight rental market – with an estimated vacancy rate of 0.7 percent – makes it very hard for people to find affordable housing and pushes the homeless numbers upward. Nearly 500 people are qualified for federal housing vouchers but can’t find a place to use them in town, said Dawn Kinder, the director of the city’s Community, Housing and Human Services Department.
This year’s count showed:
1,090 homeless individuals, an 11 percent increase over last year. Eighty-seven percent of all people counted were in shelters. Around three-quarters of those were in emergency shelters, and one quarter were in transitional housing.
First Thursday Meeting At East Central Community Center Aug 2nd 10 AM 500 S Stone St.
Somebody’s Hurting My Folks *1,2,3,4,5,6
I am asking all of our Black ministers to ask their choirs to learn and sing this song. White folks in Spokane are lacking your soul when they sing this song. Please come to our next social justice event prepared to teach white folks how to sing and swing this song.
If you looked through the archives you will notice an absence of the African American Community at the marches, at the rallies, at the demonstrations, at the social justice community organizing meetings but at the Spokane Black Agenda Summit July 30, 2011 over 100 African Americans built a plan to action. What do you think happened after that? Click the above link to see what they planned.
- My folks – those that are showing up for social justice.
- Somebody’s hurting my Black sisters and brothers.
- Somebody’s hurting poor people.
- Somebody’s hurting my church.
- Somebody’s hurting my community.
- Somebody’s hurting my global community.
Subjective-romantic best defines Stephen Pitters’ style in this collection. He uses long poetic forms to convey the powerful, uninhibited, and at times, heartfelt actions and reactions that play out in the lines of his poems. He is a self-taught language artist in the vein of other artists who embrace and articulate the emotion and the spirit of loves and lives. He explores the physicality of relationships as Walt Whitman does in his poem, “I Sing the Body Electric.” At times, Pitters’ poems speak to the raw yoga of love, and at other points, he transcends the tangible, the touchable to weave through the less sure pathways of the heart.
The narrative he uses in these passages are not half made-up composites, but rather, they sketch real-life events in the weighted style of the romantics with a heavy dose of melancholy and with a small measure of sarcasm baked into his work. His expressions stem from his experiences as a man in the middle of his passion and not a detached observer. The central inspiration for these offerings surrounds a genuine need to share unique, postage-stamp accounts of relationships of hearts and of heartbreaks lived by one man, one African-American man in the middle of the tumultuous Sixties and Seventies when he endured the racism and the discrimination of the era.
Stephen Pitters is a poet, educator and author residing in Spokane, Washington. He has had three volumes of his work published by Gribble Press: Bridges of Visions, 2009, Walks Through the Mind, 2011, and Currencies of Life…Enlisted Behaviors, 2013.He started a new series of poetry with the 2017 title “Conversations on Altered Roadways” and 2018 title “Prerecorded”. Besides publishing, Stephen has hosted The Spokane Open Poetry Program on KYRS, Thin Air Community Radio, since 2004. He is also a long-time member of the Fairchild community.