“This” is our Values: Can We Get Consensus On This? We believe in justice for all * We believe in lifting up the disadvantaged * We believe in dismantling unjust criminalization systems * We believe in equal protection under … Continue reading →
In This exhibit was first seen at the Spokane downtown library from January through March. Now we will be moving two E. Central Community Center we were able find it’s permanent home. But it will be made available to other institutions and galleries if you’re interested contact Robert Lloyd at firstname.lastname@example.org.
Coming soon to East Central Community Ctr. 500 S. Stone.
If You Really Knew Me you’d know that I’m the Black guy photographing your events and meetings. If You Really Knew Me you’d know I am a supporter of community building (4comculture.com). If You Really Knew Me you’d know I taught my photography students that good photographs have four components.
This exhibition has
Impact – size 4 x 5 feet
Technique – cutting edge technology: CherryPIX video
Design/Composition – bold colors, striking brush strokes and textures, interaction
Content – in depth storytelling, stereotype blowing, media mixing, community building
If you would like to take part and meet new friends, you’ll visit East Central Community Ctr. 500 S. Stone Spokane WA for First Thur each month at10 AM coffee discussion.
IF YOU REALLY KNEW ME Stories of Survivors and Warriors.
This exhibit we’ll be House & display at the E. Central Community Ctr. May.
This will be a traveling exhibit and can be made available for exhibitions at your gallery or institution. contact Robert Lloyd at email@example.com
Photographs by Robert Lloyd
Video by Doug Dalton and DaShawn Bedford
Wendy Levy for The Alliance for Media Arts + Culture
A collaborative, interactive photography exhibition in honor of Human Trafficking Awareness month in Spokane, these photographs were created with local women survivors and warriors. We hope these images and stories raise awareness, engagement and political will, so all those still in risk may find safety and freedom.
A project of The Alliance for Media Arts + Culture, The Spokane Human Rights Commission, Community-Minded Television,The Jonah Project and Spokane Arts Supply
What Can We Do Spokane? How about inviting 5-6 people for coffee, tea or milk and have a DISCUSSION about how you can help The Poor People’s Campaign locally. After your meeting visit https://wp.me/P1UPVH-2Xj and use the Leave a Comment box to tell us about what you decided. Below is more information about the campaign. The national website is www.poorpeoplescampaign.org
Safety Pin Box benefits all people involved, but is specifically geared at supporting Black women & femmes who are contributing to the movement for Black lives.
Every month, Safety Pin Box will give one-time financial gifts to individual Black women who have demonstrated a commitment to serving Black people. Financial gift recipients will be featured in that month’s box at their discretion, and will be invited to contribute to that month’s task writing. Any and all Black women contributing to Black liberation in any way are encouraged to apply and recipients will be chosen at random each month from Black women applicants in our pool. The more subscribers we have, the more Black women we can support. Subscription fees, as a form of reparations, go directly to supporting Black women freedom fighters every month.
Here is a heads up for you to hear Mojdeh, an African American performance artist from Chicago.
Mojdeh will be performing at the 2017 Individual World Poetry Slam Thursday and Friday in competition bouts and will MC the African American Open Mic on Saturday. Mojdeh is the Director of the 2018 National Poetry Slam in Chicago; the Education Director of Poets With Class at the Poetry Center of Chicago; and a board member of Surviving The Mic.
Thursday Oct 12 6:30 pm
The Bartlett 228 W Sprague
Friday Oct 13 6:30 pm
Boots Bakery 35 W Main Spokane
Individual World Poetry Slam African American Open Mic
Saturday Oct 14 10am – 12pm
Auntie’s Bookstore 402 W Main Spokane
Spokane poetry community hosts Individual World Poetry Slam for second time
“Between Spokane Poetry Slam, BootSlam, Three Minute Mic and Broken Mic, Spokane has made a name for itself in recent years as home to a thriving performance poetry community. After a successful event in 2013, Spokane is once again hosting the Individual World Poetry Slam, which will be in downtown Spokane from Wednesday through Oct. 14. . . . .
At the 2017 competition, 96 poets will perform during two nights of preliminary bouts at four venues – The Bartlett, Boots Bakery and Lounge, Rocket Bakery in the Holley Mason Building and the downtown branch of Spokane Public Library. ………
Host city coordinator Isaac Grambo, who also acts as commissioner of Spokane Poetry Slam, has spent the past two years preparing for this year’s event, which was created by Poetry Slam Inc.” Spokesman Review Oct 06, 2017
Dominique Christina is a poet, activist, educator, mother and African American. She spoke to two audiences in Spokane. On the Saranac rooftop she spoke to a predominantly young feminist crowd. The next evening she spoke at Gonzaga University to young creative writing students and local writers. When organizations bring talented and gifted speakers to town who bring messages of interest to a Black audience there appears to be a disconnect. Either we don’t get the message or we don’t give a damn about the message. Both engagements were free to the public. Gonzaga University has a whole program this fall around hate. Communities for Justice Fall Events
Waiting for “My Spokane Black People” is like Waiting For GODot. Must we die first? Life After Trump. It has been difficult getting Spokane’s African American community involved in social justice concerns. Here’s something easy you can do. Come see talented young actress Regina Carerre at the September showing of Waiting for Godot.
The last time we, Bob and Diane Lloyd, were waiting for Godot was in the mid-1980’s at 123 Arts at 123 S. Madison with Dave Gustafson & his wife, Nancy Malloy, Johnnie Montgomery, Frank Ponikvar, Ralph Busch, Tim Behrens, Tom Davis, John Schneider, Jennifer LaRue, Brian Flick. 123 Arts was on the south side of the railroad tracks across from the Otis Hotel in another historic Spokane brick warehouse, now a parking lot for condos.
I witnessed a great performance by the Gonzaga University Dept. of Theater and Dance.
The Acting : The Cast
You should have seen Regina Carerre who played Pozzo. She is a senior at Gonzaga University with an English major and a double minor in Criminal Justice and Theatre. And Jaron Fuglie as the slave Lucky gave the most tremendous monologue when asked to demonstrate that he could think.
If you did not see it, it’s OK, Godot never showed. Come see it September 7 or 9 at 7:30 pm or September 10 at 2:00 pm.
The Set : The Art
The outdoor set IS the environment and changes with the forces upon it. The installation artist J. J. McCracken says that it “responds to adjacent elements: the constant flow of materials via the BNSF Railway and the history of the Washington Cracker building. Embedded objects refer to the transformation of raw material into goods through refinement and manufacture. Items in the junk pile suggest transportation, labor, communication, marketing, demand, consumption and waste when a hill of earth material slowly weathers, washing over and reclaiming them. The tree, questionably dead, loosely references beetle kill ravaging forests as climate change warms the North American woods. other referents include the Great pacific Garbage Patch.
A moving part of the set, we wait for the next train. Part of the ambient sounds of police sirens, ambulances, motorcycles that weave into the stream of the sound design which featured selections from Insect Courage (2016) & Califone (1998) by Califone and Guitars Tuned to Air Conditioners (2016) by Tim Rutili & Craig Ross.
Says Director Charles M. Pepiton, “We are entangled. Climate changes. Leaves grow like ashes as the BNSF railway threads its way west and east rolling pipelines of oil, coal, and lumber. We wait. ‘But at this place, at this moment of time, all mankind is us, whether we like it or not.'”