Cathy McMorris Rodgers represents Trump and doesn’t represent the poor and the marginalized.
HOW I SEE IT
By Bob Lloyd
I was asked by the Washington State Democratic Party to participate in a 30 second spot announcement. Being a visual artist I worry about the production process. When your ideas get turned into sound bites you never know what you are going to look or sound like. So here is the original full text of my testimonial about why I vote Democratic.
My Name is Bob Lloyd. I Am A Democrat.
I vote Democratic because I fought for self determination. I fought for desegregation of schools. I fought for public accommodations. I fought for the right to vote. I fought for open housing. I fought for economic development. I fought for affirmative action. I fought for equal and fair employment. I fought against the War in Vietnam.
All my life I have been fighting for the elimination of exclusion. The only place short of civil war is the democratic process. In all of my struggles for civil rights and social justice the Republican Party has been absent on all of the things that I hold dear. So I choose to vote Democratic and struggle within the party for inclusion, civil rights and social justice.
Subjective-romantic best defines Stephen Pitters’ style in this collection. He uses long poetic forms to convey the powerful, uninhibited, and at times, heartfelt actions and reactions that play out in the lines of his poems. He is a self-taught language artist in the vein of other artists who embrace and articulate the emotion and the spirit of loves and lives. He explores the physicality of relationships as Walt Whitman does in his poem, “I Sing the Body Electric.” At times, Pitters’ poems speak to the raw yoga of love, and at other points, he transcends the tangible, the touchable to weave through the less sure pathways of the heart.
The narrative he uses in these passages are not half made-up composites, but rather, they sketch real-life events in the weighted style of the romantics with a heavy dose of melancholy and with a small measure of sarcasm baked into his work. His expressions stem from his experiences as a man in the middle of his passion and not a detached observer. The central inspiration for these offerings surrounds a genuine need to share unique, postage-stamp accounts of relationships of hearts and of heartbreaks lived by one man, one African-American man in the middle of the tumultuous Sixties and Seventies when he endured the racism and the discrimination of the era.
Stephen Pitters is a poet, educator and author residing in Spokane, Washington. He has had three volumes of his work published by Gribble Press: Bridges of Visions, 2009, Walks Through the Mind, 2011, and Currencies of Life…Enlisted Behaviors, 2013.He started a new series of poetry with the 2017 title “Conversations on Altered Roadways” and 2018 title “Prerecorded”. Besides publishing, Stephen has hosted The Spokane Open Poetry Program on KYRS, Thin Air Community Radio, since 2004. He is also a long-time member of the Fairchild community.
Who Does Safety Pin Box Support?
Safety Pin Box benefits all people involved, but is specifically geared at supporting Black women & femmes who are contributing to the movement for Black lives.
Every month, Safety Pin Box will give one-time financial gifts to individual Black women who have demonstrated a commitment to serving Black people. Financial gift recipients will be featured in that month’s box at their discretion, and will be invited to contribute to that month’s task writing. Any and all Black women contributing to Black liberation in any way are encouraged to apply and recipients will be chosen at random each month from Black women applicants in our pool. The more subscribers we have, the more Black women we can support. Subscription fees, as a form of reparations, go directly to supporting Black women freedom fighters every month.
Learn More Click https://www.safetypinbox.com/black-women-being/
In This exhibit was first seen at the Spokane downtown library from January through March. Now we will be moving two E. Central Community Center we were able find it’s permanent home. But it will be made available to other institutions and galleries if you’re interested contact Robert Lloyd at email@example.com.
Coming soon to East Central Community Ctr. 500 S. Stone.
If You Really Knew Me you’d know that I’m the Black guy photographing your events and meetings. If You Really Knew Me you’d know I am a supporter of community building (4comculture.com). If You Really Knew Me you’d know I taught my photography students that good photographs have four components.
This exhibition has
- Impact – size 4 x 5 feet
- Technique – cutting edge technology: CherryPIX video
- Design/Composition – bold colors, striking brush strokes and textures, interaction
- Content – in depth storytelling, stereotype blowing, media mixing, community building
If you would like to take part and meet new friends, you’ll visit East Central Community Ctr. 500 S. Stone Spokane WA for First Thur each month at10 AM coffee discussion.
IF YOU REALLY KNEW ME Stories of Survivors and Warriors.
This exhibit we’ll be House & display at the E. Central Community Ctr. May.
This will be a traveling exhibit and can be made available for exhibitions at your gallery or institution. contact Robert Lloyd at firstname.lastname@example.org
Photographs by Robert Lloyd
Video by Doug Dalton and DaShawn Bedford
Wendy Levy for The Alliance for Media Arts + Culture
A collaborative, interactive photography exhibition in honor of Human Trafficking Awareness month in Spokane, these photographs were created with local women survivors and warriors. We hope these images and stories raise awareness, engagement and political will, so all those still in risk may find safety and freedom.
A project of The Alliance for Media Arts + Culture, The Spokane Human Rights Commission, Community-Minded Television,The Jonah Project and Spokane Arts Supply
We believe in justice for all
We believe in lifting up the disadvantaged
We believe in dismantaling unjust criminalization systems
We believe in equal protection under the law
We believe in ending poverty
We believe in ending systemic racism
We believe in a moral narrative that is concerned with
how society treats the marginalized
We believe in transforming the political, economic, and
moral structures of our society
We believe in working toward non-partisan goals
We believe in sustained moral direct action
We believe in nonviolence
But getting organized doesn’t mean joining a pre-existing institution and taking orders. It shouldn’t mean for feiting your agency and intelligence to become a cog in a machine. Organizational structure should maximize both freedom and voluntary coordination at every level of scale, from the smallest group up to society as a whole.
You and your friends already constitute an affinity group, the essential building block of this model. An affinity group is a circle of friends who understand themselves as an autonomous political force. The ideal is that people who already know and trust each other should work together to respond immediately, intelligently and flexibly to emerging situations.
This leaderless format has proven effective for political and civic activities of all kinds, as well as other tactics in which many unpredictable autonomous groups overwhelm a centralized adversary. You should go to every demonstration in an affinity group, with a shared sense of your goals and capabilities. If you are in an affinity group that has experience taking action together, you will be much better prepared to deal with emergencies and make the most of unexpected opportunities.