This date’s Registry looks at the origins of the Chanteys in 1882. A Chantey is a style of choral singing associated with black slave labor in the early United States.
The Chantey has roots in some of the earliest African customs brought and raised by slave populations in north, central and south Americas. In Slave Songs of the Georgia Sea Islands, Blacks working on plantations sang work songs called “shanties or chanteys.” These areas were near passable rivers, and heard in Georgia as early as the 1880s. The Chanteys (singers) tended to die out as the work that demanded their services declined. Exactly when Chanteys were first used for helping men lift nets in the Menhaden fishery is unknown.
It is likely that the practice began when purse seine technology, developed in the northern states, came to be used in the southern states of Virginia, and North and South Carolina, where African American crews and labor were common at the end of the 19th century. Chantey singing among menhaden fishermen, which became widespread around 1920, represents an adaptation of work songs by African-Americans in various mainland occupations during the late 19th century–lumbering and mining and building roads, railroads, levees, and sailboats. The rhythm of this call and response singing served a valuable purpose in aiding the men’s efficiency.
Back in the day, there was a story about a big sailboat where men had lined up, singing and hammering away. The big boss complained to the foreman about the men singing, and the foreman asked, “Do you want me to make them stop?” The boss said “yeah,” and then they didn’t know how to work! They sang chanteys and that’s what made the work go!
African-American work songs go back to a West African tradition that combines the call and response form, the improvisational nature of the words, and the functional relation of the songs to the lives of the singers. By bringing together the combined efforts of men laboring at a common task, the work song actually improved the workers’ efficiency and made it possible for them to do things they could not do with uncoordinated individual effort.
The fact that laborers accomplished more work if they were allowed to sing has been documented since the time of slavery so overseers not only encouraged slaves to sing, but often tolerated critical or satirical lyrics. As Frederick Douglass wrote, “A silent slave is not liked by the masters.” Work songs allowed Black workers to gain a measure of control over the work–to turn it into a form of expression and to control the pace of the work itself. From long rowboats, as many as 40 Chanteys “men” hauled in a “purse seine,” a net filled with thousands of pounds of fish. To accomplish this backbreaking feat, they sang what were called “chanteys” to coordinate to their work movements. These fishermen’s work songs were heard on boats out of Virginia and North Carolina wherever they pursued the great migrating schools of menhaden along the Atlantic coast, from New Jersey to the Gulf of Mexico. Today the Northern Neck Chantey Singers carry on this tradition, performing for enthusiastic audiences.
Maryland Sea Grant,
University System of Maryland
4321 Hartwick Road, Suite 300,
College Park, Maryland 20740
(301) 403-4220 V
(301) 403-4255 F