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Hi everyone,

I’m reaching out to share something important. These are serious times, and I believe we can no longer afford to say, “I don’t know” or remain passive. We all wake up at different moments, but now more than ever, we need to hold ourselves, our friends, relatives, and associates accountable. Our democracy is at stake.

As part of aligning my actions with my values, I’m reducing my contacts and focusing on meaningful connections. 

If you wish to remain on my contact list and continue this journey together, please let me know.

Thank you for understanding.  

Bob Lloyd info@4comculture.com

A Conversation on Feminism, Art, and “Woo-Woo”

By Robert Lloyd

As I step into this conversation with young women artists, I aim to challenge and inspire critical thought while remaining respectful and open-minded. Our discussions can illuminate the complexities of feminism, art, and spirituality today. Thoughtful questions and a willingness to share experiences, create an environment where all voices can be heard and valued.

Navigating the ever-evolving landscape of art, feminism, and spirituality, one compelling discussion is the intersection of these themes in the lives of young women artists. As we engage I reflect on my unique perspective as an 80-year-old Black man. My goal is to bring thought-provoking insights, encourage critical reflection, and spark meaningful dialogue without veering into offensive territory.

The term “woo-woo” often evokes reflections on beliefs and practices that may seem abstract or disconnected from scientific reasoning. In creative circles, some embrace this term as a badge of honor, associating it with personal empowerment and spiritual exploration. However, it can also critique superficial spirituality. As we embark on this conversation, it’s essential to consider how artists interpret “woo-woo.”

– Do they view it as an essential facet of their creativity and identity?

– Is there a generational divide in understanding its significance?

– In what ways might their relationship with “woo-woo” reflect their artistic ethos?

Given my life experiences, I challenge perceptions by pushing to explore how “woo-woo” fits into the larger societal fabric—especially concerning intersectional feminism and the struggles of marginalized communities.

   How do today’s artists define feminism compared to past movements? Is there continuity with the legacies of Black feminists like Audre Lorde or bell hooks, or do these histories feel distant to them? I ask for reflection on the intersectionality of their work, ensuring it encompasses diverse voices, including those of older Black men and women.

   Let’s delve into the role of art in challenging power structures. Is the motivation radical, or is it self-serving? Sharing experiences of art as activism during the Civil Rights Movement, how do they perceive their work’s political impact?

   If artists embrace “woo-woo,” can we examine its implications? Does it risk becoming disconnected from pressing real-world issues like racism and poverty? Is “woo-woo” a privilege afforded to those not entangled in survival struggles? Can it reflect broader societal disparities?

   It’s crucial to discuss how race intersects with feminism and artistic practices. Are artists aware of how their perspectives might be shaped by whiteness? Black artists have integrated spirituality into their activism, reinforcing the connection between art and the fight for justice.

   Who is the intended audience for their art? Does it resonate with marginalized communities, or does it cater primarily to privileged and academic spaces? Let’s reflect on whether “woo-woo” artistic expressions can genuinely instigate change, or if they merely serve to bolster personal identities.

Navigating this conversation thoughtfully,  can we incorporate the following strategies?

–  Humor and Wit:  Using light-hearted humor can defuse tension. For instance, one might quip, “Woo-woo? Back in my day, we just called it nonsense! So, how have you all turned that into something meaningful?”

–  Personal Narratives:  Do you have any stories from your life, like the civil rights activism of my youth, that can illustrate your points clearly? I might ask, “When I was your age, we were marching in the streets. How does ‘woo-woo’ contribute to social change today?”

–  Acknowledging Humanity:  Even in critique, can we express admiration for the artists’ dedication, affirming, “We may not agree with everything, but we genuinely respect your passion for your art and beliefs.”

Here’s to a thought-provoking discussion—let’s encourage each other to think critically, respect one another’s beliefs, and navigate the intricacies of art and feminism together!

  For those interested in deepening this conversation, consider engaging with works that explore feminism, intersectionality, and the role of art as a catalyst for change. Notable books include: Sister Outsider by Audre Lord and Ain’t I a Woman by bell hooks.  Additionally, examining the Black Arts Movement and critical perspectives on “woo-woo” culture may help illuminate some of these discussions.

Gallery For Community & Culture

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WE DO NOT SPEAK FOR YOU – WE ARE A PLACE WHERE YOU CAN SPEAK

War has been declared not only on marginalized people but our democracy. We are at a point in our history where we are moving rapidly toward tyranny. The presidential candidate won the election and has total control of all branches of government and refuses to follow any of the court rules and the historical norms. If the democratic process has fallen apart and checks and balances are not working, what are the choices of the grassroots? A non-violent revolution. This site seeks to bring a progressive perspective and activist strategies to meet the challenges in our communities.

We believe that no one will do it for us but us. We are not a large organization or institution. We are individuals doing the best we can with what we’ve got. We cannot do it alone. If you would like to share with 4comculture.com contact us at info@4comculture.com. 

Blacks Have Fought for Democracy Since We Got Rid of Kings


Black History in the United States began when the first African indentured servants and enslaved people were brought west in the early seventeenth century. They were forced to do back-breaking labor on plantations and separated from their homes and families. Despite their unjust inferior status, they fought against Great Britain in the Revolutionary War, the War of 1812, and against the Confederate South in the Civil War. During the Civil War, the Emancipation Proclamation freed all those enslaved in Confederate states and territories. Then at the end of the war, the 13th Amendment was ratified, freeing all enslaved individuals within the United States. Though they had freedom on paper, Black Americans faced significant discrimination in the workplace, the education system, and the political and social spheres. In the South, they suffered under the discriminatory Jim Crow laws that kept them segregated in all public places. In the mid-1950s, the civil rights movement began in earnest and Blacks protested across the United States until the Civil Rights Act was passed in 1964. Though this improved their position in American society, Black Americans still face prejudice and discrimination today.Continue Reading ›

Source Information

Fold3, Black History (https://www.fold3.com/collection/african-american : accessed Nov 9, 2025), database and images, https://www.fold3.com/collection/african-americanTotal Publications35Total Records805,317

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Burma Shave style NO KINGS signs

Here’s a Burma-Shave-style series of signs with a **social justice theme**, ending with the message “No Kings.” Each line would appear on a separate sign, spaced out along a road:

Equal rights 
For every voice 
Justice fair 
Should be the choice 
No Kings     
They hold the crown
You hold the load  
Stand together 
Change the road   
No Kings  
The power’s yours  
It’s in your hands  
Build a world  
That truly stands
No Kings  
Truth and love  
Will light the way
No one rules 
We all have say
No Kings       

Each set of signs uses the rhythmic, rhyming style of the original Burma-Shave ads while conveying social justice themes like equality, collective power, and rejecting authoritarianism or hierarchical rule. The final line, “No Kings” delivers a punchy, memorable conclusion in the same way Burma-Shave signs ended with their product name.

Maybe you would like to add these to your protest signs.