A Conversation on Feminism, Art, and “Woo-Woo”

By Robert Lloyd

As I step into this conversation with young women artists, I aim to challenge and inspire critical thought while remaining respectful and open-minded. Our discussions can illuminate the complexities of feminism, art, and spirituality today. Thoughtful questions and a willingness to share experiences, create an environment where all voices can be heard and valued.

Navigating the ever-evolving landscape of art, feminism, and spirituality, one compelling discussion is the intersection of these themes in the lives of young women artists. As we engage I reflect on my unique perspective as an 80-year-old Black man. My goal is to bring thought-provoking insights, encourage critical reflection, and spark meaningful dialogue without veering into offensive territory.

The term “woo-woo” often evokes reflections on beliefs and practices that may seem abstract or disconnected from scientific reasoning. In creative circles, some embrace this term as a badge of honor, associating it with personal empowerment and spiritual exploration. However, it can also critique superficial spirituality. As we embark on this conversation, it’s essential to consider how artists interpret “woo-woo.”

– Do they view it as an essential facet of their creativity and identity?

– Is there a generational divide in understanding its significance?

– In what ways might their relationship with “woo-woo” reflect their artistic ethos?

Given my life experiences, I challenge perceptions by pushing to explore how “woo-woo” fits into the larger societal fabric—especially concerning intersectional feminism and the struggles of marginalized communities.

   How do today’s artists define feminism compared to past movements? Is there continuity with the legacies of Black feminists like Audre Lorde or bell hooks, or do these histories feel distant to them? I ask for reflection on the intersectionality of their work, ensuring it encompasses diverse voices, including those of older Black men and women.

   Let’s delve into the role of art in challenging power structures. Is the motivation radical, or is it self-serving? Sharing experiences of art as activism during the Civil Rights Movement, how do they perceive their work’s political impact?

   If artists embrace “woo-woo,” can we examine its implications? Does it risk becoming disconnected from pressing real-world issues like racism and poverty? Is “woo-woo” a privilege afforded to those not entangled in survival struggles? Can it reflect broader societal disparities?

   It’s crucial to discuss how race intersects with feminism and artistic practices. Are artists aware of how their perspectives might be shaped by whiteness? Black artists have integrated spirituality into their activism, reinforcing the connection between art and the fight for justice.

   Who is the intended audience for their art? Does it resonate with marginalized communities, or does it cater primarily to privileged and academic spaces? Let’s reflect on whether “woo-woo” artistic expressions can genuinely instigate change, or if they merely serve to bolster personal identities.

Navigating this conversation thoughtfully,  can we incorporate the following strategies?

–  Humor and Wit:  Using light-hearted humor can defuse tension. For instance, one might quip, “Woo-woo? Back in my day, we just called it nonsense! So, how have you all turned that into something meaningful?”

–  Personal Narratives:  Do you have any stories from your life, like the civil rights activism of my youth, that can illustrate your points clearly? I might ask, “When I was your age, we were marching in the streets. How does ‘woo-woo’ contribute to social change today?”

–  Acknowledging Humanity:  Even in critique, can we express admiration for the artists’ dedication, affirming, “We may not agree with everything, but we genuinely respect your passion for your art and beliefs.”

Here’s to a thought-provoking discussion—let’s encourage each other to think critically, respect one another’s beliefs, and navigate the intricacies of art and feminism together!

  For those interested in deepening this conversation, consider engaging with works that explore feminism, intersectionality, and the role of art as a catalyst for change. Notable books include: Sister Outsider by Audre Lord and Ain’t I a Woman by bell hooks.  Additionally, examining the Black Arts Movement and critical perspectives on “woo-woo” culture may help illuminate some of these discussions.

Gallery For Community & Culture

E WA Wants Affordable Health Care

Burma Shave style NO KINGS signs

Here’s a Burma-Shave-style series of signs with a **social justice theme**, ending with the message “No Kings.” Each line would appear on a separate sign, spaced out along a road:

Equal rights 
For every voice 
Justice fair 
Should be the choice 
No Kings     
They hold the crown
You hold the load  
Stand together 
Change the road   
No Kings  
The power’s yours  
It’s in your hands  
Build a world  
That truly stands
No Kings  
Truth and love  
Will light the way
No one rules 
We all have say
No Kings       

Each set of signs uses the rhythmic, rhyming style of the original Burma-Shave ads while conveying social justice themes like equality, collective power, and rejecting authoritarianism or hierarchical rule. The final line, “No Kings” delivers a punchy, memorable conclusion in the same way Burma-Shave signs ended with their product name.

Maybe you would like to add these to your protest signs. 

Clearly Articulate and Live the Future

This article is inspired by an audit of Dr. King’s unfinished business and a speech given by Michael McPhearson at All Saint’s Lutheran Church in Spokane Washington. The occasion was the commemoration of the the 80th anniversary of the bombing of Hiroshima and Nagasaki.


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Clearly Articulate and Live the Future You Want to Create

This article is inspired by an audit of Dr. King’s unfinished business and a speech given by Michael McPhearson at All Saint’s Lutheran Church in Spokane Washington. The occasion was the commemoration of the the 80th anniversary of the bombing of Hiroshima and Nagasaki.


To build a future worthy of our highest hopes we must describe what we seek. We must describe in ways that invite others to join us. This vision isn’t just rhetoric—it’s a lived practice. It means:

  • Justice for all and lifting up the disadvantaged must be at the center of our movement.
  • We are called to dismantle unjust criminalization systems and insist on equal protection under the law.
  • Our vision is not complete until we commit to ending poverty and systemic racism. We also must commit to ending the war economy that perpetuates suffering at home and abroad.
  • We must also end ecological devastation, recognizing that justice is inseparable from the health of our planet.

Dr. King taught us to discern between those who oppose justice and those who simply differ in approach.

Ask:

  • Do we share a vision for a world where the marginalized are protected?
  • Are we united in building bridges across lines of division?
  • Do we seek to transform the political, economic, and moral structures of society so all can live with dignity?

If we agree on these foundations, even if our strategies diverge, we are not enemies. True opposition lies in those who divide, dehumanize, or deny justice.


  • Unity is not about erasing differences, but about uniting under a moral narrative that puts people first.
  • Our work must be non-partisan and sustained, recognizing that justice is not a one-time event but a continuous struggle.
  • Nonviolence is both our method and our message, ensuring our integrity is never undermined by hate.

It’s easy to talk about justice and peace; it’s harder to live these values every day. We must:

  • Include even those who oppose us, for justice and peace must be for all, not just those we like.
  • Let love for humanity guide us, using our anger to fuel change, but never letting hate dictate our actions.

We must unite—across race, religion, ideology, and background—if we share this vision. We are a time when hate, xenophobia, patriarchy, white supremacy, and fascism are on the rise. Our response must be a movement rooted in Dr. King’s principles:

  • Justice for all
  • Protection for the marginalized
  • Unity and nonviolence
  • Transformation of society’s core structures
  • A deep commitment to sustained, moral action

We can use our anger to fuel us. However love for humanity must guide us as we build this new world. By grounding ourselves in these 14 principles, we honor Dr. King’s unfinished work and ensure our movement remains both visionary and actionable.