I just received a very nice book that was just published by the Los Angeles County Museum of Art: Black American Portraits. I seem to have missed the publication deadline as none of my portraits appear to be in the book.
So to keep you up to date I will be publishing an African American portrait every Tuesday. See you on Tuesdays!
Stephen Marc is a Professor of Art in the Herberger Institute’s School of Art at Arizona State University, an ASU Evelyn Smith Endowed Professor of Art (2021-22), and a 2021 Guggenheim Fellow. Marc began teaching at ASU in 1998, following 20 years at Columbia College Chicago. He received his MFA from Tyler School of Art, Temple University in Philadelphia, PA; and his BA from Pomona College in Claremont, CA.
Marc’s most recent book: American/True Colors (2020) addresses who we are as Americans in a polarized country with changing demographics, from an African American perspective. It was a 2021 IPPY Gold Medalist for best book in the Photography category. Marc’s three earlier books include: Urban Notions (1983), addressing the three Illinois communities where he had family ties; The Black Trans-Atlantic Experience: Street Life and Culture in Ghana, Jamaica, England, and the United States (1992); and Passage on the Underground Railroad (2009), digital composites that provide insight into the historic sites, and the institution of slavery. His Passage on the Underground Railroad is registered as Arizona’s first and only Interpretative Program of the National Underground Railroad Network to Freedom division of the National Park Service.
As a documentary/street photographer and digital montage artist, my focus is on politically and culturally relevant gatherings, as part of my ongoing work that collectively addresses who we are as Americans. Since 2019, I have been creating a series of digital “street story montages” along with photographs of public space events and everyday life that explore what is proving to be pivotal time in this country’s history.
American identity is a cultural combination of reality, idealism and myth. How we shape our environment, define ourselves and recognize each other as Americans is culturally complex, socially charged, historically layered, and constantly in flux. As a photographer, I am interested in the photograph as an interpretative document; and as a digital montage artist, exploring the ways and reasons to combine photographs to extend the visual narrative, considering the constructive nature of memory as an informed witness.
This selection of work focuses on the African American community, where most of the photographs come from my recent book: American/True Colors.
Robert Lloyd worked for CORE and SCLC in Chicago from 1962-1967. After working at Menlo-Atherton High School and Stanford University, in 1974 he completed an MFA in Design and Photography at California Institute of the Arts and began teaching photography at Eastern Washington University.
He founded, directed, and curated The Grand Photography Gallery at Eastern Washington University and The Lloyd Gallery at 123 Arts. From 1996-2000 he founded and published a community newspaper, the Spokane African American Voice. He retired from Eastern Washington University in 2004 after 30 years of teaching photography and digital imaging. After his retirement he photographed in South Africa, Kenya, Uganda, China and Japan. He can be reached at firstname.lastname@example.org and website 4comculture.com.
In 2020, the slogan was heard around the world: Black Lives Matter. I found it absurd that Black people were on a mission to get White Americans to accept the fact that Black lives matter. It is my belief that Black lives have always mattered. We only need to listen to the song as we sang it in the Civil Rights Movement, taking off from Paul Robeson’s lyrics “That’s why darkies were born”: Somebody had to pick the cotton, somebody had to plant the corn, somebody had to build a great nation, that’s why darkies were born.
With high intentions to go fishing, Pok Chi Lau has traveled to 36 countries, and he has ended up with more photographs than fish at the end of his fishing poles. Through the years, he has come to the realization that in the history of China, stretching from around 1700 to 1950, her poor coastal fishing villagers experienced some of the first Diasporas to different parts of the world, especially Southeast Asia.
He was born in British Hong Kong in 1950. Since 1967, Pok Chi Lau 劉博智, has been a documentary photographer. His work on migration focuses on the Chinese Diaspora in the Americas, Cuba, and Malaysia and now Myanmar. For a decade, he also documented the Diaspora within China, where rural peasants/migrants from all over China moved to seek factory work in coastal Made-in-China regions.
Pok Chi Lau is Professor Emeritus of PhotoMedia in the Department of Design at the University of Kansas, which has provided him with numerous international research opportunities, and through which his work has been exhibited and published broadly. Besides his work as a documentary photographer, Lau’s work as a poet and essayist has led him to collaborate with professionals in East Asian studies, journalism, ethnic studies, anthropology and social science.
Frances Grace Mortel (she/her) is a photographer and filmmaker, born and raised in Manila, Philippines. She studied in University of the Philippines Film Institute (UPFI) and worked as art director/production designer for several film and television projects. She moved to Spokane, Washington in 2016 and completed the Digital Media Production program at Spokane Falls Community College (SFCC) in 2019. She graduated with a BA Film degree at Eastern Washington University (EWU) in 2021, receiving the Dean’s Student Excellence Award, Social Justice Advocate of the Year Award, and Achievements in Screenwriting and Criticism.
A member of Brown Girls Doc Mafia, Filipino American Artist Directory, and Spokane Film Project — she has exhibited in Terrain, FemFest Art Festival, Spokane Arts’ Saturate, Pagdiriwang’s Larawan in Seattle Center, and other group shows with local collectives such as LFrances currently works as Communications Specialist for APIC Spokane and serves as board member for Spokane Film Project. A member of Brown Girls Doc Mafia and Filipino American Artist Directory — she has exhibited in Terrain, FemFest Art Festival, Spokane Arts’ Saturate, Pagdiriwang’s Larawan in Seattle Center, and other group shows with local collectives such as La Resistance and Shades of Me. She participated in Santa Barbara International Film Festival – Film Studies Program (2020), Telluride Film Festival – Student Symposium (2021), and is part of the pilot batch of WA Filmworks Media Mentorship Program (2021). She recently won the Most Promising Filmmaker Jury Award at the Spokane International Film Festival 2022 for her short film, Dear Nanay, which also took the Honorable Mention Jury Award at the Local Sightings Film Festival 2021 and Cinemetropolis Award for Best Local Short at Seattle Asian American Film Festival 2022. You may find her upcoming exhibits and screenings here: mortelmedia.com/calendar
About her work
The challenges of being a mother, immigrant, and queer artist of color fuel her desire to tell empowering visual stories that expose human truths and stand for social justice. Frances is currently capturing conceptual portraits with focus on women and QTBIPOCs (Queer, Trans, Black, Indigenous, People of Color), exploring street reportages highlighting the working class, writing and producing fiction & non-fiction films about the plight of immigrants, and experimenting on other alternative and accessible ways to create intersectional and intergenerational media.
The deadline for registration has been extended to Tuesday, October 8th for the 2nd Washington State People of Color Legislative Summit (POCLS).
Community leaders of color across Washington are cordially invited to join us on Saturday, October 12th, 10am-4pm at one of nine locations. The purpose of the summit is to hear from and connect POC communities leaders and legislators of color to build solidarity and mobilizing capacity across the state for issues that are of highest priority to our collective communities of color. Further updates:
Spokane location: Spokane Falls Community College Buyilding 30 room 212 3410 W Fort George Wright Dr. Spokane WA 99224
You are welcome to invite POC community leaders you know to register for this event. Snacks and refreshments will be provided at each location. All locations have parking and are ADA accessible. This statewide summit will have separate meeting rooms sited at college campuses around the state, virtually joined together using “Zoom” video conferencing. Each site will have a lead facilitator and staff to provide support and ensure a productive conference. If you have any questions or comments, please contact the project manager at email@example.com.
Below are photos from the People of Color Coalition Candidates Forum Sept 28 at East Central Community Center.Photographs By Robert Lloyd