Without Us? I Don’t Think So!… What Do You Think?
The deadline for registration has been extended to Tuesday, October 8th for the 2nd Washington State People of Color Legislative Summit (POCLS).
Community leaders of color across Washington are cordially invited to join us on Saturday, October 12th, 10am-4pm at one of nine locations. The purpose of the summit is to hear from and connect POC communities leaders and legislators of color to build solidarity and mobilizing capacity across the state for issues that are of highest priority to our collective communities of color. Further updates:
- Spokane location: Spokane Falls Community College Buyilding 30 room 212 3410 W Fort George Wright Dr. Spokane WA 99224
- You can watch a live stream of the Opening and Full Plenaries here: https://www.tvw.org/watch/?eventID=2019101012 . You cannot engage over live stream.
You are welcome to invite POC community leaders you know to register for this event. Snacks and refreshments will be provided at each location. All locations have parking and are ADA accessible. This statewide summit will have separate meeting rooms sited at college campuses around the state, virtually joined together using “Zoom” video conferencing. Each site will have a lead facilitator and staff to provide support and ensure a productive conference. If you have any questions or comments, please contact the project manager at email@example.com.
Below are photos from the People of Color Coalition Candidates Forum Sept 28 at East Central Community Center. Photographs By Robert Lloyd
Images by Robert Lloyd, www.4comculture.com
The exhibition is a subtle reminder of where bigotry begins. I am placing myself outside my comfort zone in order to build my path to tolerance as an artist and a human being. I’ve often heard it said that we are all in this together. Now I am seeking a consensus on where we can build common ground, around issues that we can support together. If you would like to help build a grassroots movement click on the image below and print it. Gather signatures and email addresses and mail them to: Robert Lloyd 3314 S. Grand Blvd. Spokane WA 99203.
Those of you in the Spokane area who have seen the show and would like to receive a print collect at least 25 signatures and email addresses and bring the list to the reception on Oct 4 4:30 – 6 pm at the JFK Library at Eastern Washington University. You will receive an unframed 11×14 matted print at the end of the show.
“A Path To Tolerance”, selections from over a decade of quiet observations, will be on exhibit at the EWU Downtown Gallery in Cheney Washington. It includes the exhibit “If You Really Knew Me”.
Below is a review of “If You Really Knew Me” by Jeff Mooring.
I am seldom moved enough to feel compelled to write about art. Somewhere in my head it’s the equivalent of trying to tell someone about a great song, instead of just playing it for them or droning on and on about a game that happened days ago. But compelled I am. The art in this case is the exceptionally well-conceived and executed work of a longtime friend Mr. Robert Lloyd.
Let me start by saying it’s one thing to capture the beauty and energy of a subject which he’s done, but Mr. Lloyd has surpassed that with his vivid, brilliantly colored, larger than life portraits of several women. His subjects, these eye-catching women, are of varying races, ages and stations in life. It’s my understanding that Robert achieved this dazzling effect with some high-tech, modern day alchemy of photography and computer technology. The details of which are far beyond my pay grade and simply don’t matter much when standing in front of these works. But imagine if you would, you stand being transfixed by each portrait and then you’re made aware, as they say in the TV infomercials, “but wait there’s more”. With a quick and easy loading of an app called “Cherry Pix” you can simply aim your phone at a portrait and the image comes to life and you get to hear the story of triumph behind each and every one of these beautiful souls.
The technology I believe is called augmented reality. The film clips were captured, edited and packaged by a local team at Community Minded TV and this collaboration was backed by an entity called The Alliance for Media Arts + Culture. It all comes together seamlessly due to exceptional talents and craftsmanship to be one of the most moving experiences in art that I’ve seen in my 30 some odd years of viewing.
The show titled “If You Really Knew Me” is on exhibit at the East Central Community Center, 500 S. Stone, with plans to travel. Do yourself a favor and make some, take some time… to see this exceptional effort with stories and images that are moving and interconnected in ways that I won’t spoil for you. It costs nothing to enter and may well give you an experience of relating to the lives of these beautiful women that you won’t soon forget, and you’ll feel compelled to tell others about, as have I. If You Really Knew Me by Robert Lloyd
In This exhibit was first seen at the Spokane downtown library from January through March. Now we will be moving two E. Central Community Center we were able find it’s permanent home. But it will be made available to other institutions and galleries if you’re interested contact Robert Lloyd at firstname.lastname@example.org.
Coming soon to East Central Community Ctr. 500 S. Stone.
If You Really Knew Me you’d know that I’m the Black guy photographing your events and meetings. If You Really Knew Me you’d know I am a supporter of community building (4comculture.com). If You Really Knew Me you’d know I taught my photography students that good photographs have four components.
This exhibition has
- Impact – size 4 x 5 feet
- Technique – cutting edge technology: CherryPIX video
- Design/Composition – bold colors, striking brush strokes and textures, interaction
- Content – in depth storytelling, stereotype blowing, media mixing, community building
If you would like to take part and meet new friends, you’ll visit East Central Community Ctr. 500 S. Stone Spokane WA for First Thur each month at10 AM coffee discussion.
IF YOU REALLY KNEW ME Stories of Survivors and Warriors.
This exhibit we’ll be House & display at the E. Central Community Ctr. May.
This will be a traveling exhibit and can be made available for exhibitions at your gallery or institution. contact Robert Lloyd at email@example.com
Photographs by Robert Lloyd
Video by Doug Dalton and DaShawn Bedford
Wendy Levy for The Alliance for Media Arts + Culture
A collaborative, interactive photography exhibition in honor of Human Trafficking Awareness month in Spokane, these photographs were created with local women survivors and warriors. We hope these images and stories raise awareness, engagement and political will, so all those still in risk may find safety and freedom.
A project of The Alliance for Media Arts + Culture, The Spokane Human Rights Commission, Community-Minded Television,The Jonah Project and Spokane Arts Supply
Waiting for “My Spokane Black People” is like Waiting For GODot. Must we die first? Life After Trump. It has been difficult getting Spokane’s African American community involved in social justice concerns. Here’s something easy you can do. Come see talented young actress Regina Carerre at the September showing of Waiting for Godot.
The last time we, Bob and Diane Lloyd, were waiting for Godot was in the mid-1980’s at 123 Arts at 123 S. Madison with Dave Gustafson & his wife, Nancy Malloy, Johnnie Montgomery, Frank Ponikvar, Ralph Busch, Tim Behrens, Tom Davis, John Schneider, Jennifer LaRue, Brian Flick. 123 Arts was on the south side of the railroad tracks across from the Otis Hotel in another historic Spokane brick warehouse, now a parking lot for condos.
The Venue: Terrain
Don’t miss the mid-2010’s version 40 years later on the north side of the tracks at 304 W. Pacific. Watch for more Terrain events at the Washington Cracker building “changing our region one artist at a time”.
I witnessed a great performance by the Gonzaga University Dept. of Theater and Dance.
The Acting : The Cast
You should have seen Regina Carerre who played Pozzo. She is a senior at Gonzaga University with an English major and a double minor in Criminal Justice and Theatre. And Jaron Fuglie as the slave Lucky gave the most tremendous monologue when asked to demonstrate that he could think.
The Set : The Art
The outdoor set IS the environment and changes with the forces upon it. The installation artist J. J. McCracken says that it “responds to adjacent elements: the constant flow of materials via the BNSF Railway and the history of the Washington Cracker building. Embedded objects refer to the transformation of raw material into goods through refinement and manufacture. Items in the junk pile suggest transportation, labor, communication, marketing, demand, consumption and waste when a hill of earth material slowly weathers, washing over and reclaiming them. The tree, questionably dead, loosely references beetle kill ravaging forests as climate change warms the North American woods. other referents include the Great pacific Garbage Patch.
A moving part of the set, we wait for the next train. Part of the ambient sounds of police sirens, ambulances, motorcycles that weave into the stream of the sound design which featured selections from Insect Courage (2016) & Califone (1998) by Califone and Guitars Tuned to Air Conditioners (2016) by Tim Rutili & Craig Ross.
Says Director Charles M. Pepiton, “We are entangled. Climate changes. Leaves grow like ashes as the BNSF railway threads its way west and east rolling pipelines of oil, coal, and lumber. We wait. ‘But at this place, at this moment of time, all mankind is us, whether we like it or not.'”