OUR STORIES OUR VISIONS

Joe King

My name is Joseph Martin King.

I am a very eclectic artist who has made Spokane’s Inland Northwest region my home for the past 20 years. I’m a transplant from the southern metropolitan area of Chicago Illinois. As an artist whose creativity is embodied in the cultural influences of Hip Hop, provides rationale for my indiscriminative usage of a wide range of mediums collaboratively. I consider myself to be an extraordinary individual. I’m quite different from most of my peers. I’ve been given a natural talent to transcend groups. As a young African American, I have always been very curious of other cultures and races. Living in the mid- west exposed me to a very diverse population and my curiosities of that diversity led me to a cultural sensitivity and ability to transcend groups. There has never been any box to place me in.

During my youth I found education to be dissatisfying and often brutal. Having come from a family that was lukewarm about academia, my father was a high school dropout and my mother’s educational peak was eighth grade -I didn’t feel strongly about any kind of learning. The only area that I was actually interested at the time was writing; it was the one medium in which I felt comfortable, rap music and goals of becoming a rapper led to a gifted writing aesthetic.

Due to my empirical experience as an urban minority youth who comes from the unforgiving streets of Chicago, Illinois, I have developed the usage of aesthetics to enact micro-politics, and ethnographical guidance and cultivation.

Growing up in an urban sub-culture gave me extremely valuable tools and life skills. I have survived an extraordinary violent, a dilapidating ignorant, and a horrifically impoverished environment. I have beaten most odds that young black youth face today with grace and humility.

At present, I consider myself to be an activist and advocate. I am an advocate for men that are in the perpetual cycle of domestic violence I am committed to an unconventional approach to changing the hearts and minds of men who have been abused and or abusive. I am an activist for the disenfranchised who suffer discrimination and taxation without representation. I have been very instrumental in lobbying for policy changes in Washington State concerning felony voting rights. I believe that my previous years of hardship and discrimination have developed my character. It has not made me bitter; it has made me better. Life has been my classroom, and adversities, my exams. My memoirs, stories, and experiences I will eventually publish in a book entitled “Successful Failures and Unexpected Accomplishments”.

My rehabilitation has come in the form of higher education, self-assessment, self-understanding, and realization. Becoming maladjusted helped me to tap into resources that led to my discovery of self, through education. Being a high school dropout that suffered from social, physical, and psychological abuse, I became empowered when a Spokane mental health counselor convinced me to pursue education as a means to discover and rid myself of internal issues that plague me.

I have engaged in self-uplift and development. I have evolved into an individual who desires to change, while reaching back for those who don’t have the self-efficacy or resources to mount an attempt.

As you will see, my art is also evolving as I learn more about the Diaspora and the African progeny worldwide. If my body of work affects you in any way emotionally, please use the experience to discover an honest and genuine self-discovery using a one word question during self- thought. Why?

Enjoy.

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OUR STORIES OUR VISIONS

Afaria Duke

man mythical poet, hue man 

Artist Statement

I want to express my feelings rather than illustrate them.

I channel my medium for creation through various tools such as, paint brushes, thread, metal, wood, earth, and copper.

My motto “my art 🖼 does not fit into one box 📦”

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OUR STORIES OUR VISIONS

Chip Thomas

The question I’m asked most frequently is how a black doctor in his 50s working on the Navajo reservation started doing street art on said reservation. In retrospect, it was only natural for this evolution to occur.

I started working in a small community between the Grand Canyon and Monument Valley called Inscription House in 1987. I’d always been drawn to photography and built a darkroom shortly after my arrival on the Navajo Nation. My passion photographically is shooting black and white in a documentary style inspired by people like Eugene Smith, Eugene Richards, Joseph Koudelka and others. By going out and spending time with people in their homes and family camps, I have come to know them as friends. Interestingly, these home visits enhance my doctor/patient relationship by helping me be a more empathetic health care practitioner.

I’ve always been drawn to street art, graffiti and old school hip-hop. I was attracted to the energy of the culture in the 80s and though I was miles away from the epicenter, I thought of myself as a charter member of the Zulu Nation. I would travel to New York City to see graffiti on trains, on buildings and in galleries. I did some tagging in the 80s before coming to the Navajo Nation and participated with a major billboard “correction” on the reservation shortly after my arrival. My early interventions on the street were largely text based saying things like “Thank you Dr. King. I too am a dreamer” or “Smash Apartheid” and so on.

In 2009 I took a 3-month sabbatical to Brasil which coincided with a difficult period in my life. Though I wasn’t looking for an epiphany, I was fortunate to stumble upon a passionate group of artists working on the street who befriended me. It was during this time that I appreciated how photography could be a street art form.  Inspired by Diego Rivera and Keith Haring, I’d become disinterested in showing my photographs in galleries isolated from the people I was photographing and wanted to pursue a more immediate relationship with my community reflecting back to them some of the beauty they’ve shared with me.  And in truth, I was infatuated with the feeling I got being with the artists in Salvador do Bahia and wanting to find a way to keep that vibe going I started pasting images along the roadside in June 2009.

My early photographic influences include the work of Joseph Koudelka, Garry Winogrand, Charles Moore, Robert Frank, Eugene Smith, Gordon Parks, Larry Towell, Mary Ellen Mark, Susan Meisalis, Roy DeCarava, Sebastio Salgado and Eugene Richards.  I was blown away by Richards’ work in the late 80s and early 90s for Life Magazine and had an opportunity to spend 5 days picking his brain at Santa Fe Photographic Workshops in 1991.  It’s this one person with one camera, frequently with only one lens shooting black + white film in ambient light aesthetic that informs my eye as well as 25 years spent in my home darkroom pursing the zone system.  It’s been an interesting challenge attempting to bring that look to black and white prints on regular bond paper coming off a toner based plotter. I’d like to think that my vision is a part of the storytelling, first person, humanist tradition of the people I look up to mixed with a healthy dose of Diego Rivera + Keith Haring.

Regardless, I give thanks that the journey continues.

In beauty it is finished.

https://jetsonorama.net/welcome/
https://justseeds.org/artist/chipthomas/

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Charles Tuggle

Biography

Art Institute of Chicago / University of Chicago  BFA: Studied Art History, Painting, and Printmaking; Lone Mountain College / University of San Francisco  MFA: Studied Aesthetics, Art History, and Printmaking

Information Made His Life Matter
By Robert Lloyd

In elementary school when your skin is dark and your nose is broad and your hair is kinky, your peers don’t think your life matters. So, you find a sanctuary in the library. No one beats you up. No one calls you names. You read. You discover how much there is that you don’t know and you can find in a book. A teaching career. A military career. An artist’s career. A medical technical career. A career as a professor of art in Nigeria. African history, philosophy, literature, world travels. Information made his life matter. Charles made his life matter.

Artist Statement

I am interested in bringing into focus a particular space of time which most Americans have avoided. I suppose one could say the idea is not to tell a story or narrate history but rather by presenting fragments of history in visual form, ignite thoughts of history in the viewer’s mind at several levels, conscious and unconscious.

The Nigeria Series

The series of paintings and collages is based on my time living and working in West Africa. To express the feeling that Nigeria evokes in me, visually, I use musicians and scenes of everyday life as representational elements with color and movement as the abstract elements overlying the representational ones. Kind of a theory much like music theory can be viewed as cultural constructs. In Western thought, color is described in visual terms, such as pigment or light. In Nigeria, particular in Yoruba land, where I lived, color was described in terms of temperature, from hot to cold, with various colors also having religious connotations. In Nigeria, art is meant to be multiple, multi sensual experience, not simply a matter of sight, something you look at. This series of art represents a distillation of the many feelings I have for West Africa.


https://www.shipyardartists.com/artist/charles-tuggle/

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carl richardson

Biography

My name is Carl Richardson and I have lived in Spokane for the past 25 years. I am a practicing artist and an Instructor of Art at Spokane Falls Community College. I moved the Northwest to pursue my MFA from Washington State University. Prior to moving to Washington, I lived in Florida. I completed my Bachelor’s degree from the HBCU Florida A&M University.

Artist Statement

I am a 2D artist with a primary interest in printmaking and drawing. The subject and content of my work varies and is influenced by music, conversations, observations, and the state of the world. The consistent thread in my work is my love of formal structure and design. I often use the golden mean or other geometric layouts as a foundation for my compositions. Through the act of creating I am able to express thoughts and feelings that would otherwise remain silent.

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Vote! 7 Days

No One Will Do It For Us But US

Dr. Claud Anderson Talks Buying Black, Voting Issues, Power Nomics Plans

The Way I Have Seen It: So I Vote

Charles Tuggle

Black Lives Matter

In elementary school when your skin is dark and your nose is broad and your hair is kinky, your peers don’t think your life matters. So you find sanctuary in the library. No one beats you up, no one calls you names, you read. And you discover how much there is that you don’t know and you can find it in a book. A teaching career, a military career, an artist’s career, medical technical career, African history, philosophy, literature, world travels. Information made his life matter. Charles made his life matter.
Charles Henri Tuggle, 80

Information Made His Life Matter

Charles is part of Hunters Point Shipyard Artists in San Francisco California. Examples of his work are available here.
www.shipyardartists.com

A current exhibit of his work is available at the site of a group of 10 Black artists who are with Hunters Point Shipyard artists.
Black on Point
www.blackonpointsf.org/charles-tuggle

Two videos are available at his YouTube channel Charles H. Tuggle
https://www.youtube.com/channel/UCDk3f18Mvvb7x-6FszXping/featured

How I See It : Charles Tuggle

Black Lives Matter

In elementary school when your skin is dark and your nose is broad and your hair is kinky, your peers don’t think your life matters. So you find sanctuary in the library. No one beats you up, no one calls you names, you read. And you discover how much there is that you don’t know and you can find it in a book. A teaching career, a military career, an artist’s career, medical technical career, African history, philosophy, literature, world travels. Information made his life matter. Charles made his life matter.
Charles Henri Tuggle, 80

Information Made His Life Matter

Charles is part of Hunters Point Shipyard Artists in San Francisco California. Examples of his work are available here.
www.shipyardartists.com

A current exhibit of his work is available at the site of a group of 10 Black artists who are with Hunters Point Shipyard artists.
Black on Point
www.blackonpointsf.org/charles-tuggle

Two videos are available at his YouTube channel Charles H. Tuggle
https://www.youtube.com/channel/UCDk3f18Mvvb7x-6FszXping/featured

BLM Unity in Purpose

Image

 We have many styles but we are uniting. For unity and purpose. Buy a sign place it in your yard or window let us know that you're with us.

We have many styles but we are uniting. For unity with purpose. Buy a sign place it in your yard or window let us know that you’re with us.