The exhibition is a subtle reminder of where bigotry begins. I am placing myself outside my comfort zone in order to build my path to tolerance as an artist and a human being. I’ve often heard it said that we are all in this together. Now I am seeking a consensus on where we can build common ground, around issues that we can support together. If you would like to help build a grassroots movement click on the image below and print it. Gather signatures and email addresses and mail them to: Robert Lloyd 3314 S. Grand Blvd. Spokane WA 99203.
Those of you in the Spokane area who have seen the show and would like to receive a print collect at least 25 signatures and email addresses and bring the list to the reception on Oct 4 4:30 – 6 pm at the JFK Library at Eastern Washington University. You will receive an unframed 11×14 matted print at the end of the show.
“This” is our Values: Can We Get Consensus On This? We believe in justice for all * We believe in lifting up the disadvantaged * We believe in dismantling unjust criminalization systems * We believe in equal protection under … Continue reading →
I am asking all of our Black ministers to ask their choirs to learn and sing this song. White folks in Spokane are lacking your soul when they sing this song. Please come to our next social justice event prepared to teach white folks how to sing and swing this song.
If you looked through the archives you will notice an absence of the African American Community at the marches, at the rallies, at the demonstrations, at the social justice community organizing meetings but at the Spokane Black Agenda Summit July 30, 2011 over 100 African Americans built a plan to action. What do you think happened after that? Click the above link to see what they planned.
My folks – those that are showing up for social justice.
Subjective-romantic best defines Stephen Pitters’ style in this collection. He uses long poetic forms to convey the powerful, uninhibited, and at times, heartfelt actions and reactions that play out in the lines of his poems. He is a self-taught language artist in the vein of other artists who embrace and articulate the emotion and the spirit of loves and lives. He explores the physicality of relationships as Walt Whitman does in his poem, “I Sing the Body Electric.” At times, Pitters’ poems speak to the raw yoga of love, and at other points, he transcends the tangible, the touchable to weave through the less sure pathways of the heart.
The narrative he uses in these passages are not half made-up composites, but rather, they sketch real-life events in the weighted style of the romantics with a heavy dose of melancholy and with a small measure of sarcasm baked into his work. His expressions stem from his experiences as a man in the middle of his passion and not a detached observer. The central inspiration for these offerings surrounds a genuine need to share unique, postage-stamp accounts of relationships of hearts and of heartbreaks lived by one man, one African-American man in the middle of the tumultuous Sixties and Seventies when he endured the racism and the discrimination of the era.
Stephen Pitters is a poet, educator and author residing in Spokane, Washington. He has had three volumes of his work published by Gribble Press: Bridges of Visions, 2009, Walks Through the Mind, 2011, and Currencies of Life…Enlisted Behaviors, 2013.He started a new series of poetry with the 2017 title “Conversations on Altered Roadways” and 2018 title “Prerecorded”. Besides publishing, Stephen has hosted The Spokane Open Poetry Program on KYRS, Thin Air Community Radio, since 2004. He is also a long-time member of the Fairchild community.
In This exhibit was first seen at the Spokane downtown library from January through March. Now we will be moving two E. Central Community Center we were able find it’s permanent home. But it will be made available to other institutions and galleries if you’re interested contact Robert Lloyd at firstname.lastname@example.org.
Coming soon to East Central Community Ctr. 500 S. Stone.
If You Really Knew Me you’d know that I’m the Black guy photographing your events and meetings. If You Really Knew Me you’d know I am a supporter of community building (4comculture.com). If You Really Knew Me you’d know I taught my photography students that good photographs have four components.
This exhibition has
Impact – size 4 x 5 feet
Technique – cutting edge technology: CherryPIX video
Design/Composition – bold colors, striking brush strokes and textures, interaction
Content – in depth storytelling, stereotype blowing, media mixing, community building
If you would like to take part and meet new friends, you’ll visit East Central Community Ctr. 500 S. Stone Spokane WA for First Thur each month at10 AM coffee discussion.
IF YOU REALLY KNEW ME Stories of Survivors and Warriors.
This exhibit we’ll be House & display at the E. Central Community Ctr. May.
This will be a traveling exhibit and can be made available for exhibitions at your gallery or institution. contact Robert Lloyd at email@example.com
Photographs by Robert Lloyd
Video by Doug Dalton and DaShawn Bedford
Wendy Levy for The Alliance for Media Arts + Culture
A collaborative, interactive photography exhibition in honor of Human Trafficking Awareness month in Spokane, these photographs were created with local women survivors and warriors. We hope these images and stories raise awareness, engagement and political will, so all those still in risk may find safety and freedom.
A project of The Alliance for Media Arts + Culture, The Spokane Human Rights Commission, Community-Minded Television,The Jonah Project and Spokane Arts Supply
Safety Pin Box benefits all people involved, but is specifically geared at supporting Black women & femmes who are contributing to the movement for Black lives.
Every month, Safety Pin Box will give one-time financial gifts to individual Black women who have demonstrated a commitment to serving Black people. Financial gift recipients will be featured in that month’s box at their discretion, and will be invited to contribute to that month’s task writing. Any and all Black women contributing to Black liberation in any way are encouraged to apply and recipients will be chosen at random each month from Black women applicants in our pool. The more subscribers we have, the more Black women we can support. Subscription fees, as a form of reparations, go directly to supporting Black women freedom fighters every month.