Here is a heads up for you to hear Mojdeh, an African American performance artist from Chicago.
Mojdeh will be performing at the 2017 Individual World Poetry Slam Thursday and Friday in competition bouts and will MC the African American Open Mic on Saturday. Mojdeh is the Director of the 2018 National Poetry Slam in Chicago; the Education Director of Poets With Class at the Poetry Center of Chicago; and a board member of Surviving The Mic.
Thursday Oct 12 6:30 pm
The Bartlett 228 W Sprague
Friday Oct 13 6:30 pm
Boots Bakery 35 W Main Spokane
Individual World Poetry Slam African American Open Mic
Saturday Oct 14 10am – 12pm
Auntie’s Bookstore 402 W Main Spokane
Spokane poetry community hosts Individual World Poetry Slam for second time
“Between Spokane Poetry Slam, BootSlam, Three Minute Mic and Broken Mic, Spokane has made a name for itself in recent years as home to a thriving performance poetry community. After a successful event in 2013, Spokane is once again hosting the Individual World Poetry Slam, which will be in downtown Spokane from Wednesday through Oct. 14. . . . .
At the 2017 competition, 96 poets will perform during two nights of preliminary bouts at four venues – The Bartlett, Boots Bakery and Lounge, Rocket Bakery in the Holley Mason Building and the downtown branch of Spokane Public Library. ………
Host city coordinator Isaac Grambo, who also acts as commissioner of Spokane Poetry Slam, has spent the past two years preparing for this year’s event, which was created by Poetry Slam Inc.” Spokesman Review Oct 06, 2017
* Strengthen the influence of media arts organizations, making them an integral part of their communities;
* Facilitate the support of independent media artists from all cultural communities and geographic regions;
* Integrate media into all levels of education and advocate for media literacy as an educational goal;
* Promote socially responsible uses of and individual access to current and future media technologies;
* Encourage media arts that are rooted in local communities, as well as those that are global in outlook.
Dominique Christina is a poet, activist, educator, mother and African American. She spoke to two audiences in Spokane. On the Saranac rooftop she spoke to a predominantly young feminist crowd. The next evening she spoke at Gonzaga University to young creative writing students and local writers. When organizations bring talented and gifted speakers to town who bring messages of interest to a Black audience there appears to be a disconnect. Either we don’t get the message or we don’t give a damn about the message. Both engagements were free to the public. Gonzaga University has a whole program this fall around hate. Communities for Justice Fall Events
Waiting for “My Spokane Black People” is like Waiting For GODot. Must we die first? Life After Trump. It has been difficult getting Spokane’s African American community involved in social justice concerns. Here’s something easy you can do. Come see talented young actress Regina Carerre at the September showing of Waiting for Godot.
The last time we, Bob and Diane Lloyd, were waiting for Godot was in the mid-1980’s at 123 Arts at 123 S. Madison with Dave Gustafson & his wife, Nancy Malloy, Johnnie Montgomery, Frank Ponikvar, Ralph Busch, Tim Behrens, Tom Davis, John Schneider, Jennifer LaRue, Brian Flick. 123 Arts was on the south side of the railroad tracks across from the Otis Hotel in another historic Spokane brick warehouse, now a parking lot for condos.
I witnessed a great performance by the Gonzaga University Dept. of Theater and Dance.
The Acting : The Cast
You should have seen Regina Carerre who played Pozzo. She is a senior at Gonzaga University with an English major and a double minor in Criminal Justice and Theatre. And Jaron Fuglie as the slave Lucky gave the most tremendous monologue when asked to demonstrate that he could think.
If you did not see it, it’s OK, Godot never showed. Come see it September 7 or 9 at 7:30 pm or September 10 at 2:00 pm.
The Set : The Art
The outdoor set IS the environment and changes with the forces upon it. The installation artist J. J. McCracken says that it “responds to adjacent elements: the constant flow of materials via the BNSF Railway and the history of the Washington Cracker building. Embedded objects refer to the transformation of raw material into goods through refinement and manufacture. Items in the junk pile suggest transportation, labor, communication, marketing, demand, consumption and waste when a hill of earth material slowly weathers, washing over and reclaiming them. The tree, questionably dead, loosely references beetle kill ravaging forests as climate change warms the North American woods. other referents include the Great pacific Garbage Patch.
A moving part of the set, we wait for the next train. Part of the ambient sounds of police sirens, ambulances, motorcycles that weave into the stream of the sound design which featured selections from Insect Courage (2016) & Califone (1998) by Califone and Guitars Tuned to Air Conditioners (2016) by Tim Rutili & Craig Ross.
Says Director Charles M. Pepiton, “We are entangled. Climate changes. Leaves grow like ashes as the BNSF railway threads its way west and east rolling pipelines of oil, coal, and lumber. We wait. ‘But at this place, at this moment of time, all mankind is us, whether we like it or not.'”
What will you pledge your support for Truth in Science?
Will you pledge to commit an action that will stop Trump’s policies?
Will you support local resistance in your community?
Will you support the Veterans for Peace and Raging Grannies in their protest against shipping coal through Spokane? A hearing for their trial is coming up May 19. They are bringing expert witness to testify to the dangers and need funds to pay their expenses. Contact Nancy Nelson at firstname.lastname@example.org