If You Really Knew Me you’d know that I’m the Black guy photographing your events and meetings. If You Really Knew Me you’d know I am a supporter of community building (4comculture.com). If You Really Knew Me you’d know I taught my photography students that good photographs have four components.
This exhibition has
- Impact – size 4 x 5 feet
- Technique – cutting edge technology: CherryPIX video
- Design/Composition – bold colors, striking brush strokes and textures, interaction
- Content – in depth storytelling, stereotype blowing, media mixing, community building
If you would like to participate and meet new friends, you’ll visit the 3rd floor of the Downtown Spokane Public Library Tuesday January 30th at 6PM for the Artists Reception and Panel Discussion IF YOU REALLY KNEW ME Stories of Survivors and Warriors.
January 9 – February 28, 2018
Photographs by Robert Lloyd
Video by Doug Dalton and DaShawn Bedford
Wendy Levy for The Alliance for Media Arts + Culture
A collaborative, interactive photography exhibition in honor of Human Trafficking Awareness month in Spokane, these photographs were created with local women survivors and warriors. We hope these images and stories raise awareness, engagement and political will, so all those still in risk may find safety and freedom.
A project of The Alliance for Media Arts + Culture, The Spokane Human Rights Commission, Community-Minded Television,The Jonah Project and Spokane Arts Supply
After you’ve heard the speeches and watched the documentaries, what can you do? Now you can build the community you want to live in.
Show a Film and Have a Discussion: Show a significant film at your house using Netflix or DVD’s and discuss it with your friends and neighbors.
Keep Visiting 4comculture.com: Subscribe to our blog on right side of this page.
Groups meet the first Thursday of each month from 10 – 12 to discuss the issues of the day and to build the community we want to live in. Locations:
Rocket Market 726 E 43rd Ave
Forza Coffee 2929 E 29th Ave
Community Catalysts – meets at homes – email Susan Hales email@example.com
Black man shot in the back. Jury acquits shooter. SCAR rallies, marches and protests with libations.
Marchers marched past East Central Community Center where a farewell and retirement dinner for Chuck and Evelyn Anderton occurred. Two celebrations Juneteenth. One struggled for emancipation. The other celebrated emancipation from the job and escape from Spokane’s plantation. Enjoy your Retirement!
On the eve of the Juneteenth march some of the Black religious community gave awards and had a catfish dinner. Excess catfish was sold to marchers at the BBQ concluding the rally, march and protest.
Waiting for “My Spokane Black People” is like Waiting For GODot. Must we die first? Life After Trump. It has been difficult getting Spokane’s African American community involved in social justice concerns. Here’s something easy you can do. Come see talented young actress Regina Carerre at the September showing of Waiting for Godot.
The last time we, Bob and Diane Lloyd, were waiting for Godot was in the mid-1980’s at 123 Arts at 123 S. Madison with Dave Gustafson & his wife, Nancy Malloy, Johnnie Montgomery, Frank Ponikvar, Ralph Busch, Tim Behrens, Tom Davis, John Schneider, Jennifer LaRue, Brian Flick. 123 Arts was on the south side of the railroad tracks across from the Otis Hotel in another historic Spokane brick warehouse, now a parking lot for condos.
The Venue: Terrain
Don’t miss the mid-2010’s version 40 years later on the north side of the tracks at 304 W. Pacific. Watch for more Terrain events at the Washington Cracker building “changing our region one artist at a time”.
I witnessed a great performance by the Gonzaga University Dept. of Theater and Dance.
The Acting : The Cast
You should have seen Regina Carerre who played Pozzo. She is a senior at Gonzaga University with an English major and a double minor in Criminal Justice and Theatre. And Jaron Fuglie as the slave Lucky gave the most tremendous monologue when asked to demonstrate that he could think.
The Set : The Art
The outdoor set IS the environment and changes with the forces upon it. The installation artist J. J. McCracken says that it “responds to adjacent elements: the constant flow of materials via the BNSF Railway and the history of the Washington Cracker building. Embedded objects refer to the transformation of raw material into goods through refinement and manufacture. Items in the junk pile suggest transportation, labor, communication, marketing, demand, consumption and waste when a hill of earth material slowly weathers, washing over and reclaiming them. The tree, questionably dead, loosely references beetle kill ravaging forests as climate change warms the North American woods. other referents include the Great pacific Garbage Patch.
A moving part of the set, we wait for the next train. Part of the ambient sounds of police sirens, ambulances, motorcycles that weave into the stream of the sound design which featured selections from Insect Courage (2016) & Califone (1998) by Califone and Guitars Tuned to Air Conditioners (2016) by Tim Rutili & Craig Ross.
Says Director Charles M. Pepiton, “We are entangled. Climate changes. Leaves grow like ashes as the BNSF railway threads its way west and east rolling pipelines of oil, coal, and lumber. We wait. ‘But at this place, at this moment of time, all mankind is us, whether we like it or not.'”